Ovid Metamorphoses Mary Innes File Software And Create

Ovid Metamorphoses Mary Innes File Software And Create

HunterHunted (2005) For eight singers and interactive computer music system, created for the dance by choreographer, Tina Yuan; singers use wireless microphones and move on stage with dancers; three movements derived from the earlier composition, Attunement, performed as movement one; movements two and three successively deconstruct the text and vocal sounds of Attunement in various ways to activate signal processing software and create musical textures for the remaining parts of the work.

Recording by the Formalist Quartet released on Cold Blue Two anthology.

In my 1998 work for piano, Bell Solaris the Sun rings like a bell, initiating waves of influence that traverse, shape, and create space, time, and lifetwelve movements emerged from subtle and grand transformations of the Hymn of Change, which I had written earlier in 1992.

Some years later, after hearing Bell, Andrew Tholl was inspired to arrange the Hymn, a kind of slow, gospel waltz, for string quartet.

The Bell Solaris score includes imbedded texts as part of the communication with performers.

In Hymn of Change they come from Pythagorass lectures on change, as reported by Ovid: The phrase being born is used for beginning to be something different from what one was before, while dying means ceasing to be the same.

Rather materials are composed as they arise from what we think of as an opera generator.

The documents for downloading include a prolegomenon and a Story-WordSound-Map score that are used to begin imaginings that may lead to realizations.

Currently, it is best experienced by visiting the AH opera website.

Some of Rosenbooms scores for AH will eventually be added to this site.

Kicking Little Shadows (2007) is an accessible solo piano piece written especially for young pianists.

It is inspired by rhythm and blues ideas explored through several contemporary techniques.

ELENE RIUS RB COLLECTION Kicking Shadows (2007) A subtle and hard driving solo piano piece linking rhythm and blues inspirations with Zen-soul and forms of gradual processes, in memory James Brown and with reference to Chi-fo (a.k.a.

Feng-seng), may also be arranged or orchestrated and improvisations added.

Kicking Shadows (2007) was originally written for solo piano.

It may also be arranged or orchestrated and improvisations added.

The composer has made parts for four trumpets (piccolo trumpet optional on high parts) that can be added to or mixed with the solo piano.

The piece links rhythm and blues inspirations with Zen-soul and forms of gradual processes, some subtle, some hard driving.

The title is taken from a verse by Chi-fo (a.k.a.

Feng-seng) written about the Buddhist Diamond Sutra, which is included in the score.

An optional line of text is included with opening and closing ostinati that may be whispered with a subtle sense of pitch.

The music is also written in memory James Brown with variations on an unstated theme.

Tango Secretum (2006) was written as a slow and sultry solo for piano with improvisational components.

Arrangements for piano and trumpet (with Mark Gould), piano and flugelhorn (with Daniel Rosenboom) and piano and accordion (by Danny Holt) have been performed, and it was included in the music for AH opera no opera.

The music refers to the poem, Secretum, by Martine Bellen, which in turn refers to Secretum by Francesco Petrarca.

Lines from the poem are incorporated in the notation for the score as part of communication with the performer(s).

Ovid Metamorphoses Mary Innes Pdf File